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艺术家的创作未必是线性发展的,尤其对于一个持续了三年的项目来说。工作过程中伴随着对素材的不断重访和对已产出的作品的反复质询——郝敬班的展览“过浪漫主义”出现在作品《我不会跳舞》完成之后,是在她关于舞厅的创作里值得特别指出的一点。《我不会跳舞》更多是关于记忆和历史,无可避免地线索繁杂且负载重量。“过浪漫主义”则相对轻盈,在展览现场可以看到大量的面孔、神态和肢体动作,个体背后的故事若隐若现—艺术家把这些在剪辑《我不会跳舞》时被搁置的素材再次使用,与此同
The creation of artists is not necessarily linear, especially for a project that lasted for three years. In the course of her work, she constantly revisited the material and repeatedly challenged the produced works - the exhibition “Hao Romantic” appeared in the work “I can not dance” after she finished her work, It is worth noting that there is something special about the ballroom creation. “I can not dance” is more about memory and history, inevitably clues and load weight. “Romanticism ” is relatively light, you can see a lot of faces, demeanor and body movements in the exhibition site, the story behind the individual looming - the artist put these clips in the clip, “I will not dance,” the material used again Same as that