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从六朝到初唐,骈体文统治了文坛,发展到末流,多数在内容上虚假、空洞,形式上讲究声韵,大量使典用事,滥用华丽辞藻,因而被后人批评为“绣绘雕琢”的“无用之文”。但是,在众多的骈文作家中不乏尤有才华的人物,骈体作品也颇有值得一读的名篇佳作。优秀的骈文,在严格的形式束缚之中,使用了铺排、描摹、叙事特有的抒情技巧,发挥了汉语文特有的对偶、声韵、事典、辞藻等表现手段,成为摹写生动、
From the six dynasties to the early Tang dynasty, the Tang dynasty ruled the literary world and developed to the last stream. Most of them were false and empty in content. They paid attention to the rhyme and form, “” Useless text ". However, there are no shortage of talented people among the many prose writers, and the works of literature are quite worthy of enlightenment. Outstanding shaman, in the strict form of bound, the use of arrangement, tracing, narrative lyrical skills unique to play the Chinese language unique duality, rhyme, events, rhetoric and other means of expression, become a vivid description,