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一、中国画的转型趋向和多元格局2004年我曾应邀在南京艺术学院作过一个题为“当代中国画的历史抉择”的讲座。在那时我便认为:在近现代影响中国画改变最为明显的因素,一是近现代城市化进程的加快(这是经济因素),再是受西画的影响(这是文化因素);正是这两个因素交互作用,促使中国画从传统“乡村国画”向着近现代“城市国画”转化,亦即由传统文人画向现代水墨画转化。也正因为有这一转化,才形成了当今中国画多元并存的局面。
First, the trend of Chinese painting and diversification trend In 2004 I was invited to Nanjing Art Institute made a “history of contemporary Chinese painting ” lecture. At that time, I thought that the most obvious factors that have influenced the changes of Chinese painting in modern times are the acceleration of the process of modern urbanization (which is an economic factor) and the influence of Western painting (that is, cultural factors) The interaction of the two factors impels the transformation of traditional Chinese painting from traditional Chinese painting to modern Chinese painting, that is, from the traditional literati to modern ink painting. Precisely because of this transformation, the current situation of multi-dimensional coexistence of Chinese paintings has been formed.