论文部分内容阅读
1961年南京西善桥南朝墓出土,由332块青砖组成,分两段砌于墓室的东、西两壁,东壁为嵇康、阮籍、山涛、王戎四人,西壁为向秀、刘伶、阮咸、荣启期四人,人物形象皆作线雕而凸现在画面上,人物之间以银杏、垂柳、松槐相隔。八人均席地而坐,但姿态各异,形象生动,有的抚琴啸歌,有的颌首倾听,有的高谈玄理,有的舞弄如意,人人宽衣博带,孤傲高雅,崇尚老庄之情,追求个性之心,溢于画面。关于绘画主题,竹林七贤与荣启期相差年代悬殊,为什么会出现在同一画面上,令人费解,学术界至今无法圆满解释。
1961 Nanyan Nanyishan Nan Tomb unearthed in Fujian, made up of 332 green bricks, built in two sections east and west walls of the tomb, the east wall of Ji Kang, Ruan Ji, Shan Tao, Wang Rong four people, the west wall to the show , Liu Ling, Ruan Xian, Wing Kai period of four people characters are all line carved and convex on the screen, the characters to the ginkgo, weeping willow, Song Huai separated. Eight people sit on the ground, but different attitudes, vivid, and some Xiaoqin Xiaoqin, some jaw listen, and some talkative Xuan Li, and some dance well, everyone wide coat Bo, lofty elegance, advocating the feelings of Laozhuang, Pursuit of the heart of personality, overflowing the screen. As to the theme of painting, there is a big gap between the seven virtues of the bamboo forest and the emperors’ eras, and why it appears on the same screen is puzzling. So far, the academic circle can not satisfactorily explain it.