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徽剧是一个古老的剧种,形成于明末清初。它有过非常繁荣的时期,清代乾隆年间,四大徽班进京演出,轰动了整个北京。而后,徽剧又不断吸取秦腔、弋阳腔、昆曲、汉剧的唱腔和表演艺术丰富自己,徽班也活跃在南方和北方许多省的舞台上。至今在山西、河北许多地方的古老舞台墙壁上面仍可见到“某年某月某日某某徽班在此一乐也”的记载。徽剧在国民党反动派统治年代,遭到严重的摧残,到了抗日战争期间,职业班社已经濒于绝迹。解放以后,在党的无比关怀和支持下,这个古老的剧种才又获得了新的生命。这次安徽省徽剧团的儿童学员在北京舞台演出《水淹七军》等戏,使我们看到徽剧在恢复青春,欣欣向荣,年青的幼苗在成长起来。同时也使我们领会到古老徽剧的精湛卓越的艺术,确实具有经得起时间考验的深刻而动人的艺术魅力。《水淹七军》写三国时曹将庞德抬棺与关羽决一死战,关羽不敌,放汉水淹没曹兵、智擒庞德的故事。
Hui drama is an ancient drama, formed in the late Ming and early Qing Dynasty. It had a very prosperous period. During the Qianlong reign of the Qing Dynasty, the four emblem classes came to Beijing to perform and caused a sensation throughout Beijing. Later, the Hui drama continued to draw on the singing of the Shaanxi Opera, Yiyang Opera, Kunqu Opera and Han Opera and enriching themselves in performing arts. The Hui Ban was also active on the stage of many provinces in the South and the North. So far in Shanxi, Hebei, many places in the ancient stage above the wall can still be seen, “a certain day of a certain month, a certain class in this Yue music” records. During the reign of the Kuomintang reactionaries, the Hui drama was severely damaged. By the time of the Anti-Japanese War, the professional class club was on the verge of extinction. After the liberation, with the unparalleled care and support of the party, the ancient operas gained new life again. The Anhui Provincial Hui Opera Troupe’s children students performed “Flooded the Seven Corps” and other shows in the Beijing stage, so that we can see the Hui Hui is rejuvenating and thriving. Young seedlings are growing up. At the same time, it also enables us to comprehend the exquisite and superb art of the ancient Anhui drama and indeed has the profound and touching artistic charm that can stand the test of time. “The Seven Floats” wrote the Three Kingdoms when Cao Desai Kai coffin and Guan Yu decisive battle, Guan Yu lost, put Han water inundated Cao Bing, Chi Heng story of Pound.