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每个时代都很丰富,但是每个时代都会自作多情,对别的时代要么看不起,要么太看得起。原始时代与当代相隔遥遥历史长河,细究过往每个时代对其的述说,评说纷繁各异。对原始时代中所产生的“原始思维”更是如此。那么当代设计又应该如何斟酌对待“原始思维”呢?对此我的态度类似梅格斯在《二十世纪视觉传达设计史》中提到的:“如果我们了解过去,我们将能更好的地继承美的造型和有效的传达文化遗产。如果我们忽视了这个遗产,我们将会日益陷入无脑的商业主义泥坑。而商业主义似鼹鼠的目光,当它向前掘向黑暗时,忽视人类价值的需要。”的态度。
Each era is very rich, but each age will be passionate, for other times either despise, or too impressive. The primitive era and the contemporary are far apart from each other with long history, and scrutinizing the narration of each era in the past, comments varied. This is especially true of the “primitive thinking” produced in the primitive era. So how should contemporary design be treated as “primitive thinking?” My approach to this is similar to what Meggz mentioned in “The History of Design Communication in the Twentieth Century:” “If we know the past, we will be able to Better to inherit the beauty of the United States and effectively convey the cultural heritage.If we ignore this heritage, we will increasingly plunge into the brainless business mire.While the commercialism looks like a mole, as it dives forward to the darkness , Ignoring the needs of human values. ”Attitude.