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苏州桃花坞木刻年画是我国重要木刻年画之一,是苏州民间最具代表特性的艺术表现形式,但随着时代的变迁和发展,桃花坞木刻年画陷入了传承和发展的困境。本文针对这一发展困境从文化与经济两个要素出发探索其对桃花坞木刻年画的发展产生的重要作用。
As one of the most important woodcut New Year paintings in China, Suzhou Taohuawu Woodcut New Year Picture is the most representative form of folk art in Suzhou. However, with the changes and development of the times, the woodcut New Year pictures of Taohuawu have fallen into the dilemma of inheritance and development. In view of this predicament of development, this paper starts from the two elements of culture and economy to explore its important role in the development of woodcarving New Year paintings in Taohuawu.