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紫砂壶承载着人类文明痕迹、蕴含着中国传统文脉和最自然、最素朴的亲和力。它散发着悄然沉寂的美,让人在细细品味的过程中感受恬静的慢生活心境。紫砂壶出现于唐代末年,宋代时便备受文人青睐。历经千年的紫砂壶,因茶而兴、因土而盛,从最初的实用器提升至极具美感的陶艺作品。明代时大彬、清代陈曼生都创造了时代经典,他们在紫砂壶历史上留下了浓墨重彩的一笔。时至今日,紫砂壶艺术百品竟新,名家辈出。回顾明清,艺人们创作热情高涨,将器皿造型上的革新与人文情趣的审美融合,一如
Teapot carrying traces of human civilization, contains the traditional Chinese context and the most natural, the simplest of the affinity. It exudes a quiet quiet beauty, people in the process of savoring the feelings of quiet, slow-living mood. Teapot appeared in the late Tang Dynasty, Song Dynasty, then much literary favor. After a thousand years of teapot, thanks to the rise of tea, because of soil and Sheng, from the initial utility to enhance the aesthetic works of pottery. Dabin Ming Dynasty, Chen Mansheng Qing Dynasty have created a classic of the times, they left in the history of the teapot a touch of color. Till now, the art of Tisha Kettle is actually new. Recalling the Ming and Qing dynasties, artistes enthusiasm for creation, the utensils on the shape of innovation and humanistic aesthetics aesthetic fusion, as