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接受理论主要是一种文学理论,由二十世纪六十年代联邦德国以姚斯和伊瑟尔为代表的康斯垣茨学派所首创。它认为,任何文学文本都具有未定性,都不是决定性的能产生独立意义的存在,其意义的实现则要靠读者通过阅读对之具体化,即以读者的感觉和知觉经验将作品中的空白填充起来,使作品中的未定性得以充实,最终达到文学作品的实现。学报编辑作为文稿的第一读者,当然具有一种“接受”的意味,其创造性也首先体现在对文稿的阅读接受过程之中。 当然,论文不象文学作品那样,具有未定性和空白度,论文常被认为是证明世界确定性和明晰性的认知方式,即使是证明世界的变化也是一种寻求确定的努力,然而由于人们认知的有限性及宇宙运动
The theory of acceptance is mainly a kind of literary theory, pioneered by the Constance Group schools represented by Yao Si and Issel in the Federal Republic of Germany in the 1960s. It holds that any literary text has an indefinite character and neither is a decisive existence that can produce an independent meaning. The realization of its meaning depends on the reader’s concreteness in reading, that is, the reader’s feeling and perceptual experience will be the works of the blank Fill up, so that the uncertainty of the work can be enriched, and ultimately achieve the realization of literary works. Editorial editor as the first reader of the manuscript, of course, has a “accept” means, its creativity is also reflected in the first reading of the process of acceptance of the document. Of course, the essay is not as indefinite as the literary works, and the essay is often regarded as a cognitive way of proving the certainty and clarity of the world. Even the demonstration of a change in the world is a sought-after effort. However, since people The Limitations of Cognition and Cosmic Movement