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目前西藏画派的作品没有一个正规陈列和研究的地方,大批画作流散到海内外。我提议国家每年拔出一定款项,用于抢救、购入和收藏西藏当代画家的优秀作品。2013年,我准备举办“进藏40年绘画展”时才发现,自己青壮年时期的得意之作中,很多作品的价格已经涨到无力回购,只好商请收藏者借给我展出,更多画作则已无处寻觅,只能以照片代替。因为西藏当代画家的艺术作品,或者被入藏游客低价买走,或者自生自灭。所以每当海内外来访的同行提出要求,想看看西藏当代画家的作品,
At present, the works of Tibetan Painting School do not have a formal display and research place, and a large number of paintings are scattered at home and abroad. I propose that every year, the state draw up a certain sum of money for the rescue, purchase and collection of excellent works by contemporary Tibetan painters. In 2013, when I was planning to organize the “40 Years of Painting Exhibition in Tibet,” I realized that in the proud works of my youth, the prices of many works have risen to an inability to repurchase. Out, more paintings have nowhere to look, only photos instead. Because of the works of art by contemporary Tibetan artists, either bought by Tibetans at low prices or lost themselves. Therefore, whenever a visiting colleague from home and abroad asks for a look at the works of contemporary Tibetan painters,