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对于传统舞蹈的作品而言,审美判断是其终极效应显现的工作。本文从两个方面论证了这一工作应该注意的问题:其一是舞蹈动作的语言判断,其二是舞蹈“审美”与“审丑”的风格判断。它们有益于我们从微观到宏观理解作品。
For the works of traditional dance, aesthetic judgment is the work of showing its ultimate effect. This article demonstrates the problems that should be paid attention to in this work from two aspects: one is the language judgment of dance movements; the other is the style judgment of dance “aesthetic ” and “ugly ”. They are good for us to understand the work from micro to macro.