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“北有《红色娘子军》,南有《白毛女》”。这是人们对中国芭蕾舞剧的精辟概括和肯定。1945年,延安鲁迅艺术剧院把流传于河北阜平一带的“白毛仙姑”的传说改编成了歌剧《白毛女》,并于延安上演。20年后,上海舞蹈学校的第一批学员以及胡蓉蓉,傅艾棣,程代辉、林泱泱等老艺术家又把它编成芭蕾舞剧的形式搬上舞台,至今久演不衰。在《白毛女》诞生40周年和建党84周年之际,上海芭蕾舞团
“North has” Red Detachment of Women “, south of the” White-Haired Girl “”. This is a brilliant summary and affirmation of the Chinese ballet. In 1945, Yan’an Lu Xun Art Theater adapted the legend of “White-Haired Xiangu” spread in Fuping, Hebei Province into the opera “White-Haired Girl” and staged it in Yan’an. Twenty years later, the first batch of students from Shanghai Dance School and other old artists such as Hu Rongrong, Fu Yidi, Cheng Daihui and Lin Tuan-yi moved to the stage again in the form of ballet. At the 40th anniversary of the “White-Haired Girl” and the 84th anniversary of founding, the Shanghai Ballet