论文部分内容阅读
去年初冬,北京京剧院小生演员温如华演出了翁偶虹先生的新剧作《白面郎君》。在不到一年的时间内,该剧演出了近四十场,这样的演出纪录,在北京的京剧团体中尚不多见。据说,有的观众连看数场,甚至十数场而不厌。《白面郎君》为什么如此吸引观众?原来在这个戏里,温如华以张(君秋)派唱腔为创作的素材,进行了唱腔的新创作,这些新腔,能使人们听来如品佳酿,饶有回味。《白面郎君》唱腔的成功之处有三: 一是唱腔安排得当。这是个剧本创作问题,但同唱腔创作有很直接的关系。我们往往会看到这样的演出情况,在剧情尚未得到充分展
Early last winter, Beijing Peking Opera theater actor Wenrui Weng performed a new play by Mr. Wengheng Hong “White Noodle Langjun.” In less than a year, the show performed nearly 40 games. Records of such performances are rare in Beijing’s Beijing opera troupes. It is said that some viewers even watch a few games, and even dozens of games without tire. Why does “Bian Langjun” attract the audience in this way? Originally in this scene, Wen Ruhua made a singing creation with the material of Zhang (Jun Qiu) being singing. These new chambers can make people feel like wine, sparing Aftertaste “Bian Langjun” aria singing success there are three: First, singing arrangements properly. This is a script writing question, but it has a direct relationship with singing creation. We often see such performances, the plot has not been fully exhibited