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“猛回头,避雨处,风景依然……”4月19日深夜,随着台湾国光剧团头牌青衣、梅葆玖先生的台湾大弟子魏海敏完成《断桥》中那柔肠寸断的西皮散板,上海大剧院的观众席上响起雷鸣般的掌声。是巧合,也是两岸京剧人心有灵犀。过去一周,就在中国国家京剧院于魁智、李胜素一行在台北连续6天献演《群英会》、《穆桂英挂帅》等7场大戏时,同期台湾知名的国光剧团正在上海首次集中献演京剧创新剧目《伶人三部曲》——《孟小冬》、《水
“Meng turned back, sheltered from the rain, the scenery is still ... ...” Late at night on April 19, with Taiwan’s Kwong light theater head Tsing Yi, Mei Baojiu Taiwan’s big disciple Weihai Min completed the “broken bridge” Board, Shanghai Grand Theater auditorium thunderous applause. It is a coincidence that people from both sides of Beijing Opera are consonant. In the past week, well-known Chinese Guogu troupes in Taiwan were the first to dedicate performances of Peking opera innovations in Shanghai during the same period when seven performances including “Mahjong Group” and “Mu Guiying Marshal” were staged in Taipei for 6 consecutive days by Kui Chi and Li Sheng-su of China’s National Peking Opera Theater. Repertory “actor trilogy” - “Meng Xiaodong”, "water