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清朝年间,以王时敏、王鉴、王翚、王原祁为代表的“四王”山水画,主盟山水画坛两百多年,成为清朝的正统画派。因为他们四人均生活于清朝初年,四人之间又都是宗族、师生或朋友的关系,同时他们因受到清初统治者的重视推崇以及他们都受到明末书画家董其昌画学思想的影响,所以绘画史上常常把他们四人作为同一类型的绘画现象进行研究。在中国山水画史研究中,“四王”一直被认为是保守、复古者,世人对其予以很低甚至
During the Qing dynasty, landscape painting represented by Wang Shimin, Wang Jian, Wang Xuan and Wang Yuan Qi was the orthodox school of the Qing Dynasty. Because all four of them lived in the early years of the Qing Dynasty, all four were clans, teachers, or friends. At the same time, they were all respected by the rulers of the early Qing dynasty and they were influenced by Dong Qichang’s painter’s thoughts in the late Ming Dynasty Influence, so the history of painting often four of them as the same type of painting phenomenon to study. In the history of Chinese landscape painting research, “Four Kings ” has always been considered conservative, retro, the world to its very low or even