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20世纪以来的西方音乐,可以称得上是异彩纷呈,流派众多。许多作曲家不再按照以前共性写作时期那样写作,20世纪成为作曲家个人天才创作的舞台。构成音乐的各元素被挖掘殆尽,出现了各种形形色色的“先锋派”、“实验派”作品:偶然音乐抹杀了音乐与生活之界限;电子音乐强行给人们灌输噪音音乐;具体音乐则视人工音乐为自然音乐而直接采用;后序列和反序列主义,则要么最大限度对音乐整体控制,导致感性和理性的巨大反差和分离,要么最大限度地榨取音色,让听觉应接不暇
Western music since the 20th century can be regarded as a colorful and numerous genres. Many composers are no longer writing in the same manner as they did in the past, and the twentieth century became the stage for composers to create genius. The various elements that make up the music have been exhausted and all sorts of “avant-garde” and “experimental school” work have appeared: accidental music denies the boundaries between music and life; electronic music imposes noise on people with force; Specific music is regarded as the direct use of artificial music for natural music; post-sequence and anti-sequence doctrine, either the maximum control of the music as a whole, leading to a great contrast between sensibility and rationality and separation, or to maximize the extraction of tone, so that hearing overwhelmed