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要聊瓦苇,就不得不说说日本的瓦苇协会,这是一个成立于半个世纪以前的民间组织,协会中囊括了日本几乎所有知名的瓦苇园艺大师,比如中国国内比较熟悉的栽培名家——荻原正男、实方一雄、青木典子,以及在将瓦苇对中、韩的推广、流通中起到重要作用的川东辉雄、西亚基、李桂萍等人,甚至,把日本的瓦苇协会描述成一个辐射整个东亚瓦苇爱好圈的核心组织也不为过。日本的瓦苇爱好圈也有流派之分,从栽培技法上来讲,以推崇大水高湿的传统模式为主,养成的作品以肥、大、圆、亮为主要特征,并且,我国国内的爱好者也大多是接受的这个流派的栽培理念。
To talk about Reed, you have to talk about Japan’s Reed Society, a civil society that was founded half a century ago and includes almost all the well-known Japanese reed gardening masters, such as the more familiar cultivation in China Masatoshi - Ogihara Masato, Shigeo Ishiguro, Aoki Noriko, and Kawahigashi, Shiaki, Li Guiping and others who played an important role in the promotion and circulation of the reed to China and South Korea. Even Japan’s tile It is not an exaggeration to say that the Wei Association described it as a core organization that radiates the entire community of East Asian reed. Japan’s Wava Love Circle also has a genre of points, from the cultivation techniques, in order to respected the traditional pattern of floods and humid-based, developed works of fat, big, round, bright as the main feature, and our country Most enthusiasts are also accepted the concept of cultivation of this genre.