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我一直觉得有一个断裂的许江,他的艺术实践、艺术主张与艺术活动以及他对艺术的深度思考,都与这断裂有关。而且,许江的艺术意义与成就也在这一断裂中得以呈现,并通过呈现逐步达至高峰。从某种意义上来说,许江之艺术实践正好嵌在这一断裂中,成为其唯一的象征。这意味着,在谈论许江的艺术之前,有必要先来谈论断裂。因为,在我看来,许江之断裂,不仅是他个人的,还是时代的;不仅涉及历史、社会、体制,更涉及文化以及文化的表象,也就是视觉及其信仰。甚至,其断裂也不是他所必求之结果。与近代以来全体中国人一样,他与生俱来就生活在一种断裂之
I always felt that there was a broken Xu Jiang. His artistic practice, artistic ideas and artistic activities as well as his deep thinking on art were all related to this fault. Moreover, Xu Jiang’s artistic significance and achievements are also presented in this fracture, and gradually reached its peak through the presentation. In a certain sense, Xu Jiangzhi’s artistic practice is exactly embedded in this rupture and becomes its only symbol. This means that before talking about Xu Jiang’s art, it is necessary to talk about the fracture first. Because, in my opinion, Xu Jiangzhi’s break is not only his own but also his own time. It involves not only history, society and institutions, but also the appearance of culture and culture, that is, vision and faith. Even its rupture is not the result of what he desires. Like all Chinese in modern times, he was born with a kind of fracture