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本是音乐术语的“复调”被巴赫金借用来分析陀思妥耶夫斯基的小说后,“复调小说”的理论成为二十世纪重要的文本分析理论。从复调理论来阐释中国现代作家阿城的《孩子王》,我们可以看到文本的复调结构与叙述的旋律与节拍让文本呈现出音乐性的特征。在文本里音乐性不只是文本的形式问题,内容也统一于其中,从这个理论角度来看,《孩子王》的“寻根性”更上升为一种文化哲学意味。
After the “polyphony” of musical terms was borrowed by Bakhtin to analyze Dostoyevsky’s novels, the theory of “polyphonic novel” became an important theory of text analysis in the twentieth century. From polyphony theory to the “king of children” of the modern Chinese writer Acheng, we can see that the polyphonic structure of the texts and the melody and tempo of the narration make the texts show the characteristics of music. In the text, musicality is not only a question of the form of text, but also the content is unified. From this theoretical point of view, the “root-seeking” of “child king” has even risen to a cultural philosophy.