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马原曾在八十年代末的中国文坛窜红,他的叙述全套纠缠得读者手足无措,在他以后的作家们开始注意文本的创作。八九年后的某一天,马原突然停止了写作,如同他的作品一样,留给读者太多联想的可能性。我想,离开西藏,马原失去了创作的最佳结合点,回到沈阳后生计问题及当时社会环境各方面的影响,更重要的就是作家对自身否定性超越的困难,都使马原力不从心。于是,一向自信心十足的马原选择了逃遁。
In the late 1980s, Ma Yuan became famous in Chinese literary circles. His narration was totally entangled in the readers’ hands and feet. After his later writers began to pay attention to the creation of texts. One day after 1989, Ma suddenly abstained from writing, just as his works leave the reader with the possibility of too many associations. I think leaving Tibet, Ma lost the best combination of creative writing, back to Shenyang after the issue of livelihood and the social environment in all aspects of the impact, more importantly, the writer’s negative oversight of their own difficulties, all make Ma Yuanli out of mind . So, has always been confident Ma Yuan chose to escape.