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王春生的画,大抵属于“境趣清隽、意绪幽淡”类画风。除受师于“岭南派”色墨酣畅、明快淋漓、笔墨奇纵却疏淡精匀画风的感染,并深得其三味外,又取向林风眠融合中西、具有现代审美品格的彩墨画风的借鉴,而形成自己具有北方女性风韵与品位的面貌。她很重视花鸟、静物画“情美”与“境真”表现的风神韵趣,并以女画家独特的敏感、雅致以及幻想的奇巧和遐思的坦然.传达出一种更为单纯、渺远、幽淡、冷静的意绪,构筑出流泻和充溢着自己情感的美感图式。
Wang Chunsheng’s painting, probably belongs to “Habitat Qing Jun, faint mood” class style. In addition to the teacher in the “Lingnan School” color ink hearty, crisp dripping, pen ink odd vertical but sparse fine style of infection, and won the three flavor, but also orientation Lin Fengmian fusion of Western and Chinese, with modern aesthetic character color ink painting Wind learn from the formation of their own northern women with the charm and taste of the face. She attaches great importance to the charm of the flowers and birds, the still life “love beauty” and the “true nature”, and gives her a more and more vivid impression with the unique sensibility, elegance and illusion of the artist. Simple, far-reaching, dull, calm mood, to build a stream of infiltration and overflowing with their own emotional beauty schema.