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我画画极其推崇并讲究绘画性。对笔性、线性、色彩性有着独自解释的符号。对绘画过程中出现的偶然性,只要能够给我带来迷离梦幻的艺术语境,我会如痴如醉。每一次作画,都有新的感悟。这种感悟的代价,经常是画黑了天,画昏了地,痛苦便是常有的事了。但同时带来的实验快感,总是让我对探索充满了信心。 我热爱我生长了的过去,依恋这座城市留给我的楚楚回忆。那些由中式房与日俄房互相搭连的旧房体,经过战争以及文革的洗礼,那些因时代而改变了的废工厂和仓库,以及那些被风雨吹打过的门窗,在夕阳的照耀下,时时发放出诱人的隐秘,它固有的斑斓色彩,不能不使我冲动！
I draw extremely respected and pay attention to the painting. For pen, linear, color has a self-explanatory symbol. I was mesmerized by the chances of painting in the process of painting, as long as it gave me a fantastic artistic context. Every painting, there are new insights. The price of this perception, often painted black sky, painted fainted, pain is a common occurrence. But at the same time bring the experimental pleasure, always let me full of confidence in the exploration. I love the past I grew up in, attachment to the city left me with clear memories. Those old houses, which were interconnected by Chinese houses and Japanese and Russian houses, passed the war and the baptism of the Cultural Revolution, the waste factories and warehouses that have been changed by the times, and the windows and doors that have been blown by the wind and rain. Under the sunset, From time to time release of attractive secrets, its inherent gorgeous color, can not help but make me impulsive!