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90后的外甥来我家做客,在桌上堆积如山的海量CD场里,他唯独挑中了谢和弦的专辑《于是长大了以后》,这件事让我十分惊奇。原来如今象牙塔里不再是我们那个时代男生宿舍里的周杰伦、蔡依林、S.H.E,而是被方大同、谢和弦、林宥嘉、萧敬腾这些有青春更有技术、有技术更有想法的歌手们占据,他们有可能是唱作派,也可能是实力派。更多的时候是,这是一个有脾气有态度的时代,他们不再会像前辈们那样视中庸之道为讨好粉丝的不二法则,唯唯诺诺下去。在《于是长达了以后》封面上,专辑在一片红色的背景上捧
After 90, my nephew came to our house to enjoy the massive CD field filled with mountains. He was surprised to find Xie’s chord album “When I Grow Up”. It turns out that the ivory tower is no longer Jay Chou, Jolin Tsai, SHE in our dorm dormitory. Instead, they are occupied by singers like Fang Datong, Xie Hsien, Lin Yoga, and Jam Hsiao who have more youthful techniques and more ideas. There may be singing school, it may be the strength school. More often, it is an age-temper attitude that they no longer regard the doctrine of the mean as their predecessors did for the sake of their fans. On the “So Long After” cover, the album holds on a red background