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某种程度说,一部民国书法史,本就是一部书法误读史。比如对康有为这样炙手可热的人物的误读,就一直没有断过。对康有为本人的误读,导致了对康有为书法和书法思想的误读,乃至对他的碑学思想的误读。近百年来,很多煞有介事者,一直就在不断地批判康有为,甚至以批判康有为为能事,而对康有为的误读,直接导致了对康门弟子的误读,对康门弟子的误读,又导致了对近百年来碑学思想的误读。因为,康有为
To some extent, the history of calligraphy in the Republic of China was originally a history of calligraphy misreading. For example, Kang Youwei, a hot person, has never been misinterpreted. Misreading of Kang Youwei himself led to the misunderstanding of Kang Youwei’s calligraphy and calligraphy thoughts and even his misreading of his thought of tablet. In the past century or so, many people who have made serious and serious incidents have been constantly criticizing Kang Youwei and even criticized Kang Youwei as his own way of doing things. The misunderstanding of Kang Youwei has directly led to the misunderstanding of Hong Kong’s disciples and misunderstanding of Hong Kong’s disciples. It also led to the misunderstanding of the thought of inscriptions in the past hundred years. Because, Kang Youwei