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近几年新工笔逐渐成为新水墨的主力军,无论在艺术市场还是各种艺术类活动中都占有着非常高的地位,从某种意义上说,新工笔派画家们似乎找到了一条中国传统绘画与当代性主题或者与西方流行思潮能够融合的道路。在他们之中也不乏杰出的艺术家,他们用笔墨纸砚和传统的工笔技法表现出一些具有当代性特色的艺术作品,给中国画带来了更多的可能性;但同时也带来了一个趋之若鹜的社会现象,新工笔成为了典型被无限夸大,人群被无限制地激增,也使得曾经充满生机的新工笔群体变得世故和浮躁,圈子里的人也几乎忘记了工笔画原本的模样。李甲明的特殊性在于,他没有跟风画新工笔,而是选择了坚守,并且在这种坚守中保持了非常鲜明的独创性。访谈李甲明,听听李甲明是如何看待艺术创作的创新以及应当如何创新和坚守。
In recent years, the new style of writing has gradually become the main force of new ink and wash. It occupies a very high position both in the art market and various art activities. In a sense, the new genre painters seem to have found a Chinese tradition Painting and contemporary themes or with Western popular trend of convergence. There are also many outstanding artists among them. They use ink-jet paper and traditional techniques to show some works of art with contemporary characteristics, which bring more possibilities to Chinese painting. At the same time, they have brought together a group of people Social phenomenon, the new style has become a typical exaggerated, the crowd has been an unlimited surge, but also makes the ever-new genius of the new geniuses become impetuous and impetuous, the circle of people who have almost forgotten the appearance of the original painting. Li Jialing’s particularity is that he did not follow the trend of new art, but chose to stick with it, and in this stick to maintain a very distinctive originality. Interview with Li Jiuming, Listen to how Li Jiaming creative art innovation and how to innovate and stick.