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最近由中国社会科学院文学研究所现代文学研究室编的《中国现代短篇小说钩沉》(1～4卷),有意识地弥补了文学史重点评介反映重大题材作品的缺陷,使读者更能全面地了解中国现代小说的面貌。突出的印象是: 一、它扩大了中国现代小说的题材范围,更多地再现了中国多姿多彩的社会生活。过去,中国大陆作家的笔触很少伸到日占领时期的台湾和东北沦陷区,而在这套书中则有所反映,如欧坦生的《鹅仔》,李同愈的《复仇的火》,罗烽的《荒村》等。由于认识上的不同,过去我国文学史上对于鸳鸯蝴蝶派的作品,多持否定的态度,至于他们反映社会生活的作品,也不愿提及,在这套书中,编诜收入属于鸳鸯蝴蝶派但
Recently, “The Shortage of Chinese Modern Short Stories” (Volumes 1 to 4), compiled by the Institute of Modern Literature of the Chinese Academy of Social Sciences, deliberately compensates for the shortcomings in the critical introduction of literary history in reflecting works of major themes so that readers can understand them more fully The Appearance of Chinese Modern Fiction. Outstanding impressions are: First, it expands the subject range of modern Chinese novels, more to reproduce China’s colorful social life. In the past, brush strokes of Chinese writers seldom reached into the occupied areas of Taiwan and the enemy-occupied areas in northeast China. However, they are reflected in this book. For example, the “Goose Aberdeen” of Otawansan, the “fire of vengeance” Luo Feng’s “Deserted Village” and so on. Due to differences in understanding, in the past, the history of Chinese literature on the works of the Yuanyang Hudie more negative attitude, as they reflect the social life of the work, do not want to mention, in this book, the compilation of income belongs to the Yuanyang Hudie pie but