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著名曲剧表演艺术家海连池,在他长期的艺术实践中,在他与广大观众直接对话、心灵相通的交流中,形成了自然、通俗、质朴、率直的“白话文”式的演唱方式,为广大观众所喜爱,为许多同仁所称道。尤其在他的代表作《卷席筒》一、二、三集中,这种演唱风格得以充分的体现,并形成了他醇厚苍劲的独特艺术风格:雄健而不粗野,浓重而不呆板,流畅而不轻浮,通俗而不低格。不少戏迷都说:苍娃的唱腔好听、好记、易懂、上口。特别是“小苍娃我离了登封小县”等唱段,可谓是家喻户晓,广为传唱,在广大观众心中有着极深刻的影响,尤其在《卷席筒》剧一、二集拍成电影之后,一时间形成了“苍娃即连池”、“连池即苍娃”的艺术格局。“海派唱腔”的成功,具有多方面的因素。
In his long-term practice of art, he formed a natural, popular, straightforward and straightforward “vernacular” singing style in his direct dialogue and soul communication with a large audience. For the majority of the audience favorite, praised by many colleagues. Especially in his masterpiece “Roll seat” one, two or three concentrated, this singing style can be fully reflected, and formed his full-bodied and vigorous unique artistic style: vigorous rather than crude, thick but not rigid, smooth and not Frivolous, popular and not low grid. Many fans say: Aiva’s singing nice, easy to remember, easy to understand, catchy. In particular, “Little Swan I left Dengfeng County” and other aria, can be described as a household name, widely sung, in the hearts of the vast majority of the audience has a profound impact, especially in the “roll seat tube” drama one or two set shot Into the film, a time to form a “avalanche that even the pool ”, “even the pool that is Cang Wa ” art. “Shanghai School singing ” success, with many factors.