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本论文的主要内容是研究中国手风琴作品当中对典型民族民间音乐形象的刻画。本论文写作以中国社会为背景,以近百年当中手风琴在中国的发展轨迹为依据,以我国各个历史时期的手风琴书籍、相关理论文章及谱例等为参考资料,对我国手风琴作品中刻画的典型民族音乐形象进行研究分析,对我国手风琴的发展现状进行综述并且对我国手风琴未来的发展方向提出合理性意见。在当前国际手风琴多元化发展的前提下,中国的手风琴事业更需要特立独行的发展方向和独树一帜的创作视角,而我国民族文化无疑是我们取之不尽的创作源泉,所以对我国手风琴作品中的民族元素的研究就显得尤为重要。
The main content of this thesis is to study the portrayal of the typical national folk music image in Chinese accordion works. This thesis is based on the background of Chinese society. Based on the track of accordion development in China during the recent one hundred years, with reference materials of accordion books, related theoretical articles and spectrum examples in various historical periods in our country, Music image research and analysis, the development of accordion in our country are reviewed and the future development of accordion in our country put forward reasonable suggestions. Under the premise of the diversification of international accordion development, accordion development in China needs the unique development direction and the unique creative perspective. However, our national culture is undoubtedly our inexhaustible source of creativity. Therefore, in our accordion works The study of ethnic elements is particularly important.