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传统的话语分析基本上局限于语言本身,即只注意语言系统和语义结构本身及其与社会文化和心理认知之间的关系,忽视了诸如图象、声音、颜色、动漫等其他意义表现形式。这就使得话语分析带有较大的局限性。20世纪90年代,西方兴起的多模态话语分析,可以在很大程度上帮助人们克服这些局限性。笔者从多模态话语的媒体系统层面解析《生活大爆炸》中谢尔顿人物形象的幽默效果,为赏析影视作品提供新的维度。
Traditional discourse analysis is basically confined to the language itself, that is, it only pays attention to the relationship between the language system and the semantic structure itself and its social, cultural and psychological cognition, ignoring other manifestations such as images, sounds, colors, animes, etc. . This makes discourse analysis with greater limitations. The rise of multi-modal discourse analysis in the West in the 1990s can help to a great extent overcome these limitations. The author analyzes the humorous effect of Sheldon characters in the “Big Bang” from the media system level of multi-modal discourse and provides a new dimension for the appreciation of film and television works.