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所有人文景观的本身都是没有生命的建筑,但是如果把这些建筑所承载的历史、人物故事与一代代文人饱蘸激情、纷繁多姿的情词媚语糅和在一起,那便有风情万种、摇曳多姿的韵味,自然会生发出许多妙趣的文字,繁衍出更加曲折凄美的故事。可以这样说,文人不仅是一切人文景观的创造者和记录者,更是最有力的传播者。中国古代文人在这方面表现得尤为突出,他们对人文景观特别是亭台楼阁都有着如母体胞衣一般强烈的依赖和难以割舍的情结。燕子楼就是这样由文人记录所承载的在历史与想象之间形成的一种文化产物。
All cultural landscapes are inherently lifeless buildings, but if the history and people’s stories carried by these buildings are saturated with passionate and colorful words from generation to generation, then there will be style Species, swaying a variety of flavor, will naturally give birth to many interesting text, reproduce a more tortuous poignant story. It can be said that a literator is not only the creator and recorder of all humanistic landscapes, but also the most powerful communicator. Ancient Chinese literati are particularly prominent in this area, they are humanistic landscapes, especially the pavilions have a strong dependence on the mother’s body and clothing, and hard to break the complex. Swallow House is such a record of the literati carried by the history and imagination formed between a cultural product.