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清初顺治末期,郑成功北伐的失败,标志着清廷在军事上已取得巩固政权的基本胜利。随着士人心中燃烧着的反清复明火焰的逐渐熄灭,在顺治、康熙之际,清初诗风也出现了一个转变。这是一个由直接写实言志向婉转惆怅言情的转折。它反映出以钱谦益等“江左三大家”为代表的在易代后慷慨激昂地抒发家国之恨的清初第一代遗民诗人已完成自己的诗歌使命,即将退出诗坛,也体现着以王士稹为代表的清初新的一代——生于明末,长于鼎革之中,擅长婉转惆怅地表现主观感情的清初第二代诗人开始在诗坛上崭露头角。
At the end of Shunzhi in the early Qing Dynasty, the defeat of Zheng’s successful Northern Expedition marked the basic triumph of the Qing government in military affairs that had secured the consolidation of power. As the flames of the anti-Ching Ming flame burning in the minds of the intellectuals gradually extinguished, there was a shift in the style of poetry in the early Qing Dynasty on the occasion of Shunzhi and Kangxi. This is a turning point from straightforward, realistic speech to melancholy romance. It reflects that in the early Qing Dynasty, the first-generation surviving poets, represented by QIAN Qian-yi and others such as Jiang Zu-san, were impassioned by the generation to express their hate of their country, had completed their poetry mission and were about to withdraw from the poetry community, A new generation of early Qing dynasties, represented by Wang Shizhen, was born in the late Ming Dynasty and long in Dingge, and the second generation of poets in the early Qing dynasty who were good at melancholy and melancholy began to emerge in the poetry world.