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前不久,法国科学家兰贝说:现代人类所面临的宇宙,如此古老,如此巨大,其奥妙无穷,其存在的根本倾向,是为了孕育地球、孕育生命,乃至造就人类。在自然界,确实有某种非常精确的法则和自然参数支配着宇宙和生命的演化。兰贝的这种说法,非常引人注意,令人深受鼓舞和兴奋。在宇宙中,人类所创造的艺术世界也存在着某些微妙的、非常重要的艺术法则和自然而然的艺术参数。 若以艺术史的一般立场大略看来,作为雕塑艺术大师,罗丹其人诚可以为占典雕塑与现代雕塑沟通对话的最佳机缘。罗丹曾以内己独特的体悟,将占典的希腊艺术视之为完全的自然主义的技术结晶。其实,古希腊艺术说不上全然的自然主义艺术,仔细观察,她倒是多少更直接地表现出人的理念性格之某些波澜浩荡的倾向。
Not long ago, the French scientist Lambei said: The universe the modern mankind is facing is so ancient and so huge. Its essence is infinite. Its basic tendency is to breed the earth, give birth to life, and even create human beings. In nature, there are indeed some very precise laws and natural parameters governing the evolution of the universe and life. Lambeth’s remark, very attractive, is very encouraging and exciting. In the universe, there are some subtle and very important artistic laws and natural artistic parameters that exist in the art world created by mankind. As a general guideline of art history, it seems that as a master of sculpture art, Rodin can sincerely offer the best chance of dialogue between the classic sculpture and the modern sculpture. Rodin once distinguished himself in his own unique understanding of the classical Greek art as a technical crystallization of naturalism. In fact, the ancient Greek art can not be completely naturalistic art, careful observation, she actually more or less directly show some of the ideological character of some magnificent tendencies.