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巴西里约热内卢的中央车站,帮人写信的朵拉和小男孩的书亚的生命出现了交集。约书亚的母亲丧生于一辆大巴的车轮之下,于是约书亚的生命使命就是寻找远在千里之外的父亲。物欲驱使下的朵拉试图卖掉无亲无故的约书亚,来换一台崭新的大电视。然而,现代人最后残存的一丝负罪感让朵拉改变了初衷,她和约书亚一起踏上了寻找父亲的道路,他们遇到了各种人和事。朵拉和约书亚的关系在民风民俗的巴西农村社会中发生转变。最终,虽然寻找父亲的目标没有实现,但他们都找到了自己情感的归宿。亲情作为人类最质朴的一种情感,是影视作品频繁展现的主题。这一主题有着国际化的共通性。寻
The intersection of Rio de Janeiro’s central station in Brazil, the lives of Dora who wrote letters and the boy’s book of Joshua. Joshua’s mother was killed under the wheel of a bus, so Joshua’s life mission was to find fathers a thousand miles away. Dora driven by materialism tried to sell Joshua, a pro-Godless man, for a brand new big television. However, the last remnants of the modern sense of guilt that Dora changed his mind, she and Joshua embarked on a path to find his father, they met a variety of people and things. The relationship between Dora and Joshua is changing in a rural Brazilian society characterized by folk customs. Eventually, although the goal of finding a father did not materialize, they both found their own emotional end. Affection, as one of the simplest emotions of mankind, is the theme of the frequent appearances of film and television works. This theme has international commonality. Searching