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丁玲作为延安女作家群中的重要一员,她20世纪40年代的女性文学作品以一种反叛传统的现代性姿态,审视女性在传统向文明转型过程中的现代性体验和心灵困境。丁玲对现代性体验的书写,是以外来者“介入”的叙事方式,展现“外来者”和文本中的女性在遭受时空分离的生存处境之后,孤零的心理体验和无助的内心伤痛。这种体验又成为促使她们对时空进行重组,渴望生存境遇发生转机,并不断揭露和批判传统,进行现代性改造的动力。
Ding Ling, as an important member of Yan’an female writers, her works of women literature in the 1940s examined the modernity experience and spiritual predicament of women in the process of traditional transformation to civilization with a modernized attitude of rebellion. Ding Ling’s writing on the experience of modernity is based on the narration of outsider “intervention ” to show the solitary psychological experiences and helplessness of “outsiders” and the women in the text after being separated from each other in time and space The heartache. This kind of experience has also become the motive force that motivates them to reorganize their time and space and their desire to survive the turning point, and constantly expose and criticize the tradition and carry out the transformation of modernity.