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近年来,市场经济势头愈来愈猛,商品意识日渐深入人心,这显然是大好事。可稍一留心,你就会发现从来属于“经营、销售”范围的穿衣戴帽、饮酒品茶、纹眉隆鼻、吃香喝辣一类愈来愈被顾客们冠以“文化”之说;而原本就一直“文化”着的影视文学作品,却在观赏者人每况愈下,说道者日益增多的情况下,被愈来愈关心它们的观众读者强调为“商品”。勿用赘言,商品被奉为“文化”后,自然会高出许多身价;而文化一旦被“商品”了,在欣赏者心目中,就不知不觉地走了几分“高雅”。不过依我看来,无论昨日的文化今日的“商品”,亦或是从前的商品现今的文化,均已无一例外地在社会主义市场经济之大纛下进行着优胜劣汰的竞争,接受着消费者——上帝们的检验。这是事实。这次决定将台湾女作家玄小佛的小说《谁来爱我》改编为20集电视连续剧的四川广电厅、电视台、电视剧部的众多领导和该剧导演便是基于上述认识
In recent years, the growing momentum of the market economy, commodity awareness increasingly enjoys popular support, which is obviously a good thing. Can be a little care, you will find that has always been a “business, sales,” the scope of the dressing hats, drinking tea, tattoo rhinoplasty, popular spicy one more and more customers are entitled to “culture” that ; While the literary and literary works that have always been “cultural” have been emphasized as “commodities” by audiences who are more and more concerned about them as their viewers get worse and speakers grow. Needless to say, commodities are naturally regarded as many “worthy” after they are regarded as “cultural.” Once the culture has been “commodities,” it has unwittingly taken a bit of “elegance” in the minds of the audience. However, from my point of view, both the “commodity” of today’s culture and the present-day culture of former commodities have, without exception, been engaged in the survival of the fittest under the socialist market economy and have been consuming God’s test. This is a fact. The decision to adapt the Taiwan writer Xuan Xiaofu’s novel “Who Loves Me” to a series of 20 TV series in Sichuan Radio and Television Office, television and television drama department leaders and director of the drama is based on the above understanding