谈戏曲舞台的角色交流

• 作 者: 张旭红
• 出 处: 戏剧文学
• 发表日期: 2004年07期
• 关键词: 戏曲舞台 戏曲表演 一出戏 时空环境 规定情境 四功五法 刻画人物 刘巧儿 秦香莲 形体动作

戏曲表演,其实就是一个不断交流的过程。金山先生所说的“传递与接受”,实际上就是指舞台交流。它几乎可以涵盖戏曲表演的各个方面。每一出戏的演出,都是通过角色与角色之间、角色与虚拟的时空环境之间、角色与观众之间以及角色本身的自我交流来完成的。只有通过恰如其分、细致入微的舞台交流,才能形象地揭示角色的情感和性格,生动地演

Opera performances, in fact, is a continuous exchange process. Mr. Jinshan referred to as “delivery and acceptance,” which actually means stage communication. It covers almost every aspect of opera performances. The performance of each play is accomplished through the self-communication between the role and the role, the role and the virtual space-time environment, the role and the audience, and the role itself. Only through appropriate, meticulous stage communication, to reveal the image of the character’s emotions and personality vividly