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如今的当代艺术展,往往已不仅仅只是一个展览,还是一个项目,是一场实验,也是抛出一个个问题并进而给予理论上的一种“乌托邦式”的解决建议。比如,是否可以给“XX山”加上几厘米?除了人工降雨还有其他办法可以缓解干旱吗?是否可以在雾霾城市播种清新空气的种子?风暴是否可以人为控制?如此,还可以提出很多设想,而科技的发达则给予人类壮志凌云的展望,前景似乎是一番“美丽新世界”。果真如此吗?君不见环境的恶化愈发成为一
Today’s contemporary art exhibition is often more than just an exhibition or a project. It is an experiment, a problem that is thrown out and then a theoretical “Utopian” solution is proposed. For example, is it possible to add a few centimeters to “XX Mountain”? Can there be other ways besides artificial precipitation to alleviate the drought? Can we sow seeds of fresh air in the haze city? Can the storm be artificially controlled? Put forward many ideas, and the development of science and technology is given to the prospects of human aspirations, the prospect seems to be some “Beautiful New World ”. Is this true? Do you not see the deteriorating environment more and more become one