论文部分内容阅读
从事农民画教学已有三年多,初次接触农民画之时便被作品中表达的真挚情感所打动。本文笔者将通过对三江侗族装饰纹样的研究基础上,与在从事的农民画教学中所得经验相结合,对侗族传统的装饰纹样在农民画教学中的应用进行相关的理论探讨,从而为柳州地区农民画的发展探索新方向,也为该地区农民画文化产业的建设添砖加瓦,同时也希望更多的人能够参与到农民画的创作,提高生活质量。1三江侗族装饰纹样在全国范围内,共有侗族自治县五个,广西省柳州市三江侗
Engaged in peasant painting teaching for more than three years, the first contact with peasant painting was touched by the sincere emotion expressed in the works. Based on the research on decorative patterns of Dong ethnicity in Sanjiang and the experience gained in the teaching of peasant painting, this paper will carry on the relevant theoretical discussion on the application of traditional decorative patterns of Dong ethnic group in the teaching of peasant painting, The development of peasant paintings explores new directions and also contributes to the construction of peasant painting cultural industries in the area. At the same time, I hope more people can participate in the creation of peasant paintings and improve the quality of life. 1 Sanjiang Dong decorative patterns throughout the country, a total of five Autonomous County of Dong, Sanjiang Dong Liuzhou City in Guangxi Province