浅析明代山水画的“象征性”特征

• 作 者: 赵婷
• 机 构: 湖南师范大学,
• 出 处: 明日风尚
• 发表日期: 2016年06期
• 关键词: 文人笔墨 阳明心学 吴门四家 明朝初期 明初 浙派 院体 吴门画派 明中期 院画

明代山水画的发展有鲜明的时代特征,尤其是阳明心学对其影响深远造就了文人绘画的强大,也相应的成就了山水画“象征性”特征。

The development of landscape painting in the Ming Dynasty has distinct characteristics of the times. In particular, the profound influence of the study of the Yangming school of thought has created the strength of the literati painting and also correspondingly has the characteristics of landscape painting “symbolic ”.