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歌剧音乐剧产出的怪圈众所周知,西方歌剧院、美国百老汇与伦敦西区演出市场依靠已有经典剧目支撑,新戏赔多赚少,多数被市场淘汰。所以,复排重演旧戏成为音乐戏剧行业主要业务。美国戏剧最大的“托尼奖”每年都设有复排剧目奖项。反观国产歌剧音乐剧,改革开放数十年来公演出台数百部,长演(long-run)的极少,复排的罕见。新世纪以来,伴随经济增长与文艺体制改革的深化,舞台剧投资渠道的扩展,舞台剧创作、制作、表演能力不断提
As we all know, the Western Opera House, the United States Broadway and West End show market rely on the existing classic repertoire support, the new drama lost more money, the majority of the market out. Therefore, the re-plaition of the old drama became the music and drama industry’s main business. The largest “Tony Award” for American drama has a rehearsal of drama rehearsals every year. On the contrary, there are few long-run or long-run rallies of domestically produced opera musicals and hundreds of performances during the reform and opening up. Since the beginning of the new century, with the deepening of economic growth and the reform of the literary and artistic system, the expansion of investment channels for theatrical dramas, the continuous improvement of the ability to create, produce and perform theatrical productions