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1943年的青藏写生之行,无疑极大地影响了吴作人后期的创作,不论是对1940年代开始的融合中西的油画实践,还是对于建国后开始的水墨画创作。可以说,吴作人的一生中有两次西行之旅,一次是向西方,去比利时留学,求取外部的助力寻找自己民族艺术出路的方向;另一次就是本文所述的西部边疆之行,在中国内部文化资源和文化传统中,寻求个人和民族艺术的方向。1.去西部1943年4月,吴作人从重庆出发前往成都,为自
The trip to Qinghai-Tibet in 1943 undoubtedly greatly influenced the later creation of Wu Zuoren, whether it is the practice of combining Chinese and Western painting started in the 1940s or the ink painting started after the founding of the People’s Republic. It can be said that Wu Zuoren’s journey in his life there are two westbound trip, one is to the West, to study in Belgium, to seek external help find their way out of ethnic art; the other is the travel of the western border described in this article, in China Internal cultural resources and cultural traditions seek the direction of individual and ethnic arts. 1. To the west April 1943, Wu Zuoren departure from Chongqing to Chengdu, as self