不让浮云遮望眼——艺术大家铁扬所思、所言、所行

• 作 者: 贠冬鸣 续铁标 缪济临 苗卫钟
• 出 处: 河北画报
• 发表日期: 2017年01期
• 关键词: 铁扬 艺术大家 怀斯 缅因州 艺术视角 美国画家 油画家 铁凝 佛德 美术馆馆长

铁扬虚岁八十二,大半生只做了一件事,画画。画水彩,画油画。西画通常用眼调色,铁扬却是用情感搅拌,故作品才不可重复。其题材狭窄,皆河流、山川、树木,农家院落锅台板柜及憨实妇人。由铁扬的艺术视角,忽而想到美国画家怀斯。在铁扬两岁时的一九三七年,怀斯作品首次闯入纽约并大获成功,但他没像多数艺术家那样移民至此,而是留在故乡继续挥毫。因此,宾州恰兹佛德镇和缅因州库辛镇的风

Iron Yang empty eighty-two, most of his life only one thing, painting. Draw watercolor, draw oil painting. Western painting is often used eye color, Tie Yang is the use of emotional mixing, so the work can not be repeated. The narrow subject matter, all rivers, mountains, trees, peasant courtyard pots cabinets and foolish woman. From Iron Yang’s artistic perspective, I suddenly thought of American artist Wise. In 1937, when Tieyang was two years old, Wise’s work broke into New York for the first time and achieved great success. However, instead of immigrating to most other artists, he stayed in his hometown and continued to play. As a result, Pennsylvania’s Charmouth Township and the town of Cushing, Maine style