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2013年9月,北京舞蹈学院金浩编著30余万字的《戏曲舞蹈知识手册》,由南京师范大学出版社出版,年近百岁的舞蹈史学家、教育家彭松先生为该书题写书名。中国戏曲舞蹈的传承性、动态性和可塑性都非常强,并具备了几个显著特点:第一,体验与表现并举的美学特征。第二,功能性与表演性融为一体的训练体系。第三,程式化的肢体语言所形成的舞蹈风格。怎样捕捉、整理与深化细研一直以来都是戏曲界和舞蹈界所关注的。早在清末民初,使戏曲艺术达到巅
In September 2013, Jin Hao, a Beijing Dance Academy editor of more than 300,000 words of “Opera and Dance Knowledge Book,” was published by Nanjing Normal University Press. Mr. Peng Song, a dance historian and educator nearly a hundred years old, wrote a book title. The inheritance, dynamics and malleability of Chinese opera dance are very strong and possess several notable features: first, the aesthetic characteristics of both experience and performance. Second, a functional and performance-oriented training system. Third, stylized body language dance style. How to capture, organize and deepen the fine study has always been the concern of the opera and dance circles. As early as the end of the Qing Dynasty and the early Republic of China, the art of opera reached its peak