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我在从事文艺演出组织工作中,经常碰到这样的事情:乐器低档,演员拒绝使用;器材出现故障,正在进行的演出出了乱子;没有伴奏,演员无法演唱,等等。一旦遇到此类情况,我们这些组织者只好临时调换节目,或者赶紧去购买高档乐器和高级音响。而演员只是坐等我们把一切都安排好之后才登台演出。前段时间,我看到一则关于著名小提琴演奏家伊扎克·帕尔曼的故事:在纽约举办的一场音乐会上,身为残疾人的帕尔曼架着双拐来到舞台中央,坐在椅上,架好小提琴,开始演奏。
When I was engaged in theatrical performance, I often encountered such things as low musical instruments, refusal of the actors to use the equipment, failure of the equipment, inaccuracies in the ongoing performances, absence of accompaniment, inability of the actors to sing, and so on. In the event of such situations, we organizers had to temporarily change programs, or quickly buy high-end musical instruments and advanced audio. And the actors just wait for us to put everything together before they stage. Some time ago, I saw a story about the famous violinist Yitzhak Perlman: At a concert in New York, Perlman, a disabled person, came out to the center of the stage with a double- Sitting on a chair, playing violin, began playing.