论文部分内容阅读
吴永刚以导演的身份进入电影的时候正是中国电影进入一个新的时代的当口。他的典型性在于,作为电影知识分子中处于中间状态的一个个体,不能不受到时代大潮的裹挟。而不论其对自己的社会角色是坚持还是妥协,其内在的精神世界却始终坚守着自己的正义感和良知,坚持着进步的社会感知态度,坚守着人道主义的文化底线。吴永刚是公认的艺术表现的大师,在多数时期中他的一些优秀作品都成为中国电影艺术发展的标记,让中国电影在不同的时期达到了相应的艺术高度,而没有他的作品,这种高度就可能降低。
When Wu Yonggang entered the film as a director, it was exactly when Chinese movies entered a new era. His typical character is that as an individual in the middle of movie intellectuals, he can not but be caught up in the tide of the times. Regardless of whether it insists on or compromises its own social role, its inner spiritual world has always adhered to its own sense of justice and conscience, adhered to a progressive social perception and adhered to the cultural bottom line of humanitarianism. Wu Yonggang is recognized as a master of artistic expression and during most of his period some of his outstanding works have become the marks of the development of Chinese film art. The Chinese film has reached the corresponding artistic height in different periods without his works. This height It may be reduced.