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2000年3月5日在上海博物馆召开的《中国古代青铜乐器学术讨论会》,是美国百人会文化协会、上海博物馆及上海大剧院联合举办“上海青铜文化艺术周”的活动内容之一,是为配合上海博物馆其间举办的《古乐新韵——中国古代青铜乐器展》而进行的专题学术讨论会。来自国内一些博物馆、考古研究所、大学、研究中国青铜文化和青铜乐器的专家、学者,及来自美国的中国文物专家,计30余人参加了此次讨论会。会上,童忠良、马承源、王世民、陈应时、陈荃有等十位专家学者分别从青铜乐器的乐律学、考古学、音乐文化等不同视角作了专题发言。并就发言人提出的问题展开了严肃活跃的讨论。3月7日、8日晚,该艺术周还在上海大剧院上演了谭盾的歌剧《门》(国内首演),黄豆豆编舞独舞、谭盾作曲、世界首演的《周朝六舞图想》,武汉音乐学院中华编钟乐团的“古乐新声”。《门》剧是一出融合了京剧、电视、木偶艺术及交响乐的多媒体歌剧,演
Held in Shanghai Museum March 5, 2000, “Chinese ancient bronze musical instrument symposium” American Cultural Association will Hundred, Shanghai Museum and Shanghai Grand Theater co-organized one of the “Shanghai bronze arts and culture Week” activities, is In line with the Shanghai Museum held during the “new music ancient music - China Ancient Bronze Musical Instrument Exhibition,” and conducted a special seminar. From national museums, archaeological research institutes, universities, research Chinese bronze culture and bronze musical instrument experts, scholars, and Chinese heritage experts from the United States, including more than 30 people attended the seminar. At the meeting, ten experts and scholars such as Tongzhong Liang, Ma Chengyuan, Wang Shimin, Chen Yingshi and Chen Quanyou made special speeches respectively from different perspectives of musical instruments, archeology, music and culture of bronze musical instruments. And conducted a serious and active discussion on the issues raised by the spokesman. On the evening of March 7 and 8, the art week was staged at the Shanghai Grand Theater with Tan Dun’s opera The Door (national debut), the chick-pea choreographer, Tan Dun’s composition, and the world premiere of “ Want ”, Wuhan Conservatory of MusicChinese chime Orchestra“ ancient music new sound. ” The “Gate” drama is a multi-media opera that combines Peking Opera, television, puppet art and symphony.