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在中西方文艺理论中,技术和艺术的关系是一个恒久探讨的问题,本文就此问题谈一下自己的看法。著名哲学家海德格尔在技术与真理相关联的层面上探求技术之本质,这种探求的理论基础是存在论。他认为技术作为一种去蔽的方式,也是一种真理。技术的去蔽,其前提与基础就是“设定”。所谓“设定”,就是从某一方面去看待某物,取用某物。现代技术设定自然,将事物变为“持存物”,事物作为存在者在表象中成为对象,世界则被把握为图像。因此技术的去蔽不是本真的,海德格尔把技术的这种要求称为“座架”,并把它与技术本质相联系,他说“现代技术之本质居于座架之中”。座架构成了技术的本质,技术由此关联世界。
In the theory of Chinese and Western literature and art, the relationship between technology and art is a permanent issue to be discussed. This article talks about my own views on this issue. The famous philosopher Heidegger explores the essence of technology at the level of technology and truth. The theoretical basis of this exploration is ontology. He believes that technology as a way to get rid of, but also a truth. Technology to shelter, its premise and foundation is “set.” The so-called “set” is to look at something from one aspect, access to something. Modern technology sets nature to turn things into “hold things,” things as objects to be objects in appearances, and the world to be images. Therefore, the removal of technology is not true. Heidegger refers to this requirement of technology as a “mount,” and relates it to the essence of technology. He states that “the essence of modern technology resides in the frame.” Frame constitutes the essence of technology, technology from the world.