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一很多纪录片在画面的运用上存在着两种不良的倾向，一种是将画面置于从属的地位，作为串联解说词的无关紧要的因素，从而轻视了画面的表现力。还有一种是，虽然意识到了画面的重要性，但由于缺乏美学上的思考，画面仍然停留在单纯的记录现实，再现拍摄场面的水平上，而对画面
There are two unhealthy tendencies in the use of a number of documentary films. One is to place the picture in a subordinate position as an irrelevant factor in a series of commentary, thereby neglecting the expressiveness of the picture. Another is that, although aware of the importance of the picture, due to the lack of aesthetics, the picture still stays in the mere record of reality, reproducing the scene of the shooting scene, and the picture