论文部分内容阅读
《晚安苔丝迪梦娜》中的女主人公康斯坦丝·莱德贝丽注疏甄别经典并考据原创作者的过程就是单身机器高速运转并对主体施加影响的过程。在一个欲望已被锁定的、以俄狄浦斯为伦理框架且以男根为能指暴君的封建社会里,康斯坦丝·莱德贝丽为拯救苔丝迪梦娜、罗密欧与朱丽叶所做的一切注定是要失败的,因为在象征秩序内,每位主体皆陷入能指连环而让位于主体间性。因此,废黜能指暴君,提倡非法西斯的生活方式,在当今以多样性为特征的后工业社会里就显得尤为重要。
The actress Constance Ryderbery in Good Night Tessa Dreams notes that the process of screening classic texts and examining original authors is the process by which a single machine runs at high speed and exerts influence on the subject. In a feudal society, whose desire had been locked up, with Oedipus as the ethical framework and with male roots as her means of tyranny, Constance Ryderberney did what Salvatore and Juliet did to save Tessie Mona, Everything is doomed to failure, because within the symbolic order each subject is trapped in a chain of interactivity that gives way to inter-subjectivity. It is therefore particularly important in post-industrial societies characterized by diversity today that disuse can refer to tyrants and advocate an illicit Sith lifestyle.