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一、全剧的特色徐葆齐同志的大型话剧《之伢子》是一个既有青春气息又饱含哲理的诗剧,它是用意识流手法写就的颇有新意的剧本。剧本的基本结构是以老年毛泽东在春节前夕的回忆为主体,然后随着毛泽东意识的流动,展现出少年毛泽东——之伢子向往、奔向长沙一幕一幕的少年时代的热血沸腾的生活。作者为了呈现老年毛泽东的意识流动,多次地让老年毛泽东与回忆中的人物交流,甚至与少年时期的自己进行心灵的对话。于是就在现实与逝去的童年两个时代之间,在主体与流动着的意识两个层面之间引出了一个形象:奔向长沙的之伢子——投向风暴,搏击长空的海燕;引出了一个令人思索不尽的哲理:韶山有个之伢子!——
First, the characteristics of the whole play Comrade Xu Baoqi’s big drama “prince” is both a youthful and full of philosophical poetry drama, it is written with the stream of consciousness flow quite innovative script. The basic structure of the script is based on the memories of the old Mao Zedong on the eve of the Spring Festival. With the flow of Mao Zedong’s consciousness, the basic structure of the script shows the youthful desire of Mao Zedong, a boy, to go to the juvenile scene of Changsha. In order to show the stream of consciousness of the elderly Mao Zedong, the author repeatedly exchanged the aged Mao Zedong with the recalled figures and even had a spiritual dialogue with himself in his youth. Thus, between the two ages of reality and the passing childhood, an image is drawn between the two dimensions of the subject and the flowing consciousness: the emperor who runs toward Changsha - a storm that swallows the sky and flies against the sea; A thought-provoking philosophy: Shaoshan have a prickly heat! -